A pesar de ese mar en calma su oleaje peina el paisaje de sus costas y esas olas con sus remolinos, sus bucles, sus crestas y sus valles, las cuales acarician a sus bañistas, son representadas magistralmente por Chirino en se momento, en un momento congelado y exacto, como si de un retrato se tratara.
Naturaleza y acero se funden en ese color rojo que puede llegar a representar las vidas por una u otra razón se han perdido al intentar cabalgar por esta autopista de la cultura que fue y que sigue siendo el Mar Mediterráneo.
Like Chillida with the Cantabrian Sea that bathes San Sebastián in his work, the Peine del Viento Chirino makes his great little tribute to the Mediterranean with almost the same creative impulse as the previous one. I don't know which one it was before, but what I do know is the majesty of those twisted irons that represent that calm sea.
Despite that calm sea, its waves comb the landscape of its coasts and those waves with their eddies, their loops, their crests and their valleys, which caress their bathers, are masterfully represented by Chirino in that moment, in a moment frozen and exact, as if it were a portrait.
Nature and steel merge in that red color that can represent the lives for one reason or another that have been lost when trying to ride along this highway of culture that was and continues to be the Mediterranean Sea.
Dosmilcien
@Dosmilcien_2100
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